The fundamental obstacle is that we have no conceivable way to produce the energy levels to test the predictions that new theoretical physics would produce. We are like over a dozen orders of magnitude off.
One comment - the perfect pitch exercise becomes a relative pitch exercise as soon as you get one note right. I don't believe I have perfect pitch but I got 100% on the quiz I just did.
He’s reacting to an implication in your phrasing. “CDs are for listening to the music”. frames CDs as rational and objective. “Vinyl is for listening to yourself” reframes vinyl as something more inward and identity-driven. For many people, vinyl already sits in an intentionally irrational space compared to modern formats, worse fidelity, more friction, more ritual. So that line can be read as quietly calling vinyl navel-gazing or performative rather than about the music itself. Some readers find that observation insightful or funny, which is likely what prompted the “this is amazing” reaction, even if it wasn’t how you intended it.
these types of people used to be called “hipsters.” I don’t know if there’s a more modern term for it.
That’s what I guess he meant by “amazing” and also why it spawned the goat head and papyrus mockery.
Well, I interpreted the comment I responded in good faith. On the other hand, I respect and understand people who choose to mock me directly. Actually I'm pretty used to be mocked.
Being more serious, I think it depends on one's relationship with music itself, and I don't expect everyone to have the same relationship with it. Personally, I met with music at a very young age, and funnily I started with CDs and open-reel. Vinyl came into my normal rotation pretty late, after its availability started to increase.
I worded my comment exactly like that intentionally, because the unwritten context here is my vinyl collection is solely composed of albums I already love to listen, and dedicate some time listening to. As a person who also performed in the past, I also understand that my relationship with music is a bit different when compared to today's consumerism-centered approach.
So, if spending some time with a favorite album, enjoying it and respecting the effort went into its production is worthy of mockery and being labeled as a hipster or being backward, let it be. I don't personally care.
Same goes for pen and paper, actually, but it's a subject for another day.
I don't think it's a crackpot theory. The basic idea is that the gauge group is the group of rescalings of the units of money, and arbitrage appears as curvature in the gauge field, i.e. you end up with a net change when you parallel-transport money around a loop in the (discrete) space of assets and time.
> when I asked [KentBeck], "What's the simplest thing that could possibly work?" I wasn't even sure. I wasn't asking, "What do you know would work?" I was asking, "What's possible? What is the simplest thing we could say in code, so that we'll be talking about something that's on the screen, instead of something that's ill-formed in our mind?" I was saying, "Once we get something on the screen, we can look at it. If it needs to be more, we can make it more.
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